The More… by Sifiso E. Kweyama & Just we by Moeketsi Koena.

“The choreographer is inspired by the saying ‘Don’t judge the book by its cover’ the choreographer believes that the reality or truth of everyone and everything lies inside, in the place where one would usually never think of looking. Hence the piece explores movements and places that make everything to be what it is”.

Redha’s Giselle is set in Apartheid South Africa and is very loosely based on the classic ballet where boy meets girl: Giselle. In Redha’s Giselle however, the boy in question is on the oppisite side of the colour divide, and love all but runs smoothly! Their youthful and innocent love results in conflict, violence and even death.

Tshwane Dance Theatre in funded by the National Lottery Distribution Trust Fund.

‘Hotel’ featuring compositions by Philip Miller and costumes by Robyn De Klerk, is a multi-layered, dance theatre work using Guillaume Apollinaire’s poem of the same name as an starting point. People, thoughts and ideas check-in and check-out, some linger and occupy, whilst some depart as quickly as they arrive. It is an uncontrollable place which is sometimes real and then again, sometimes only in our subconscious.

This newest creation by the acclaimed Forgotten Angle Theatre Collaborative under the directorship of award winning choreographer PJ Sabbagha features a company of 10 dancers including the riveting Dada Masilo, Lulu Mlangeni, Ivan Teme, Songezo Mcillizeli and Nicholas Aphane.

The Forgotten Angle Theatre Collaborative is funded by The National Lottery Distribution Trust Fund and The National Arts Council